Access Abundance

 

Resources

for Musicians, Songwriters, Recordings Artists & Music Publishers



 


 

Inventory of Works - TEMPLATE

Template for organizing and managing your original musical works and intellectual property

 


 

Performance Rights Organizations (PROs)

 


 

Songwriter Performance Rights

Publishing Administration

Royalty Collection Assistance

 


 

Resource links for Music Licensing & Placement in Film / TV / Videogames / Advertising

 


 

Film Festivals

 


 

U.S. Copyright Info

 


Performance Rights Organizations (PROs)


North American PROs
for Composers, Songwriters, Lyricists and Music Publishers


USA

ASCAP | BMI | SESAC

All 3 USA-based songwriter PROs now have programs to compensate songwriters for live performances of their original works in various contexts, e.g. festivals, theaters, municipal events, clubs, other venues, open mics and more.

Affiliation Fees
PRO
Writer
Publisher
Fee Waiver?
Live Performance Payment Program Website
ASCAP
$50
$50
Yes
ASCAP OnStage ascap.com
BMI
$0
$150 - $250
No*
BMI Live bmi.com
SESAC
$0
$0
n/a**
SESAC Live Performance Payments sesac.com

When you affiliate with a PRO, it’s important to affiliate as both a WRITER member and as a PUBLISHER member. Otherwise, you will only receive half the money to which you are entitled.

*The one exception is BMI, where if your works are not controlled by a publisher, you can register your songs under your writer membership at 200%. Despite this "work-around" solution offered by BMI, it may still be advisable to affiliate as a publisher member. In particular, anyone interested in sustaining a long-term musical career should strongly consider publisher affiliation as an essential component of their business infrastructure.

**There are no affiliation fees to join SESAC, but there is an evaluation / invitation process, whereas BMI and ASCAP accept all songwriters that meet their eligibility criteria, which are easily satisfied.

Additional information about USA-based songwriter PROs can be found on our PRO Primer Page


Puerto Rico

ACEMLA


México

SACM


Canada

SOCAN


Elsewhere


 

North American PROs for Recording Artists (USA)

SoundExchange

 


 

Songwriter Performance Rights
Publishing Administration
Royalty Collection Assistance

Access Abundance

CDBabyPro

SongTrust

Soundreef
Soundreef operates in the UK, USA, Italy, France, Sweden and Spain

TuneCore

TuneSat

 


 

Resource links for
Licensing & Placement in Film / TV / Videogames / Advertising

AccessFilmMusic.net

Film Music Magazine

FilmMusic.net

GettyImages.com/music

MusicSupervisor.com

Pacifica Music / Riptide Music Group

PumpAudio.com

Taxi.com

APM Music

MusicDealers.com
Music Dealers ceased operations in the summer of 2016.
Click the link above to read why. Their website MusicDealers.com is still online, but has not been updated since June 2016.


 

U.S. Copyright Office

copyright.gov

Recommended reading: Copyright Basics (PDF)

Songs are intellectual property. Songs and other musical compositions are often referred to as “works”. A creator or creators of a work (also referred to as a composer, songwriter, author, or lyricist, in the case of someone who writes lyrics) owns a work as soon as it’s “fixed in a tangible means of expression”, e.g. written down, captured in an audio recording or a video recording that includes audio, etc.

It is not required that copyrights for works be registered with the Library of Congress, but doing so in a timely fashion entitles the copyright owner to additional remedies in instances when their copyrights have been infringed upon.



 

Copyright Collection Societies Worldwide

Links to a list of Copyright Collection Societies on Wikipedia



 

GigPal.net

The Online Web Calendar Management Tool
for Musicians, Performers, Bands, DJs, Agents, Managers and Venues

FREE GigPal account for all clients of Access Abundance!

 


 

Bibliography / Recommended Reading

All You Need to Know About the Music Business by Donald S. Passman

This Business of Music: The Definitive Guide to the Business and Legal Issues of the Music Industry by M. William Krasilovsky, Sidney Shemel, John M Gross and Jonathan Feinstein

How to Win Friends & Influence People by Dale Carnegie

 


 

- coming soon -

A Guide to Forming Your Own Publishing Company

 


NERFA 2013 Licensing & Publishing Panel - PDF handout

On November 9, 2013, at the annual conference of the North East Regional Folk Alliance (NERFA) in Kerhonkson, New York, Chicago Mike Beck moderated a panel on Licensing & Publishing. Panelists included Linda Lorence Critelli, Vice-President of Writer/Publisher Relations at SESAC, songwriter and recording artist Rachael Sage, who is also a partner in MPress Records, an independent record label, Marc Ratner, Managing Partner of Mishara Music, a singer-songwriter-centric record label based in Maine, and award-winning composer, conductor and symphonist Andy Brick, who boasts multiple film and videogame credits, including works by Disney, Pixar, Electronic Arts, and more. Here is the handout that was distributed at this panel. Most of the information contained in the handout is presented on this web page, below.


 

 

IMPORTANT LEGAL DISCLAIMER

Access Abundance does not and cannot dispense legal advice. The information in this website is provided only as general reference and industry background. Access Abundance strongly recommends that you should consult with an attorney in all instances in which you might act upon the information presented here.